Review by Bob Ignizio
ZERO DARK THIRTY
tells the story of how the CIA found al-Qaeda leader Osama bin Laden
as a classic hero's tale. One exceptional individual, in this case
Maya (Jessica Chastain), stands her ground and, when necessary,
stands up to her superiors to insure that the job gets done. Sure,
other people help along the way, and it's the Navy SEALs who
ultimately take the bad guy out, but only because Maya stuck to her
convictions.
Where
facts are checkable to a reasonable degree of certainty, the movie
appears to be truthful. Given the still top-secret nature of much of
what went on, however, there's no way to say with any real certainty
that THIS IS WHAT REALLY HAPPENED. After all, one doesn't have to be
a conspiracy nut to recognize that the United States government isn't
above massaging the truth in the interest of a compelling narrative
(anyone remember Jessica Lynch?), and in Hollywood, playing fast and
loose with the truth is just par for the course.
With
that in mind, it's perhaps best to evaluate ZERO DARK
THIRTY as a movie first, and a
history lesson second. Taken on that level, it's a well made but
ultimately lifeless thriller. The film offers a fairly
straightforward re-enactment of the official version of the events
that took place, but not a whole lot in the way of excitement. The
end is never in doubt, so it's kind of hard to feel much tension or
suspense. Additionally, Chastain's Maya is so cold and one
dimensional that the human factor is lacking as well.
Some
took issue with the degree of accuracy in director Kathryn Bigelow
and screenwriter Mark Boal's previous feature THE HURT
LOCKER. Even if those critics
were right, that film still had interesting characters, a compelling
story, and a clear idea of what it wanted to say. Here we're given a
bland lead character walking through a rote recounting of events that
doesn't want to be vulgar and engage in either full blown “U.S.A!
U.S.A!” cheerleading, nor does it want to appear too critical even
in those areas that aren't so black and white, so it just sort of
half-heartedly says, “well, it's a dirty business but I guess we
had to do it, and it's a good thing we had Maya in there making sure
it got done.” If there's more to the film than that, I guess it
passed me by. 2 out of 4 stars.

I totally agree with you! Kathryin Bigelow knows how to pick compelling subject matter but she doesn't actually add anything substantial.
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