[ONCE UPON A TIME IN ANATOLIA
screens Friday May 4th at 8:15 pm and Saturday May 5th at 9:05 pm at
the Cleveland Cinematheque.]
Review by Bob
Ignizio
The plot of ONCE UPON A TIME IN
ANATOLIA concerns a murder, and
the efforts of the confessed murderer to lead the authorities to the
location where his victim is buried. To say that it is a crime film,
however, would not be entirely accurate. The surface story is never
less than compelling, but it's also a means to an end; a way for the
film to get across its central theme that sometimes the truth can be
more harmful than a lie.
That theme is at
the heart of the main storyline, in which a secret that would have
been better left unspoken turns out to have indirectly precipitated
the murder while also adding another layer of tragedy to the events.
However, it is perhaps best illustrated in a subplot involving a tale
one member of the search party, the prosecutor who will be trying the
murder case, relates to the doctor who has been brought along to
perform an autopsy on the victim. The story concerns a beautiful
woman who accurately predicted that she would die within days of
giving birth. The prosecutor believes it to be a mystery with no
rational explanation. The doctor is skeptical and continues to probe
for more details, eventually reaching a far different conclusion that
is both more prosaic and painful.
Kenan, the man who
confesses to the murder, may also be lying about the degree of his
involvement to protect his mentally challenged brother. This
possibility is touched on only briefly, but if Kenan is lying then
this is one lie, though not the only one, that is allowed to persist
in the film.
Director/co-writer
Nuri Bilge Ceylan also spends a good bit of his film's running time
creating a sense of place and imbuing it with a particular
atmosphere. There are many long shots of the characters driving from
one place to another looking for the body that drive home the
repetitive blandness of the landscape. To pass the time, the
characters engage in banal small talk dealing with subjects ranging
from a kind of buffalo yoghurt so thick it has to be cut with a
knife, to Turkey's aspirations of joining the European Union. Many
characters also comment on how the region itself seems to breed
violence and despair.
The film is long
and moves at a leisurely pace with little in the way of action and
frequent detours that don't necessarily advance the plot which are
nonetheless rewarding. All the questions one might have in the film
are answered, but the answers are definitely not spoonfed to the
viewer. This is a film that not only rewards but requires careful
attention and a good bit of patience from its audience. 4 out of 4
stars.
As Published on Examiner.com
Unbelievably enjoyable portrait of deceptions of self and other. This compares with Bergman existential forays, and my therapist recommended it to me and my wife who thoroughly enjoyed it.
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